this is barcelona s bld first ep released on a different label as bld tape recordings. a1 track, original secrets where bld give us a highly hypnotic and energetic tool assisted with original rhythmic patterns.on the a2, alfonso s remix pumps along with a rolling acid bassline added to tough percussions from the original track. limited copies!tracklist:a1 - secretsa2 - secrets (alfonso remix)

following on from last years 1 sided white label ‘home’ which subsequently sold out in a flash, 2 more tracks from e. myers have been commited to plastic. a side ‘hate’ is a dreamy house track with a rounded bassline with horns and strings that lift it into the stratosphere. b side ‘love’ things take a somewhat darker, more ebm driven turn. 1 time press, act fast.

wake up! records is proud to announce rise and fall, the debut ep by ian oakley, a new talent from toronto. skewing acid-tinged house with languid, lopsided grooves, rise and fall weaves a mix of dubbed-out elements into a unique, intuitive whole. “thumbs” evokes a liminal space perfectly suited for late night cruises and hypnotized foors. “rise and fall” stays true to its name, a slippery bassline ebbing and fowing against a elegantly mellow beat. on the b-side, “bug jam” indulges oakley’s electro side, while label co-owner benjamin brunn remixes “rise and fall,” reimagining the original as a spacious, kosmiche slow burner. rise and fall is a confdent debut, as potent in headphones as on the decks and a welcome edition to the growing wake up! catalogue.

reissue of the original konduko records release of early 80s miami producer noel williams sleazy disco funk classic >get down< with its awesome post disco/pre electro sound. this in-demand track, which was the standout on the hugely successful disco not disco series, literally has it all - a compulsive hypnotic combination of killer electronic bassline, catchy funk vocals and dirty in-ya-face synth stabs that positively wreck the dancefloor! ultra-rare and near-impossible to get hold of in the original, so grab one of these limited edition reissues while you can.

a passion for techno has always run deeply through his music and under his trevino moniker he is also a powerful creative force (check his recent front album to get the full picture). here, he takes transmission breakdown on a magical excursion, filled with subtle, hypnotic, evolving energy, anchored with an irresistible pul- sating bassline throb - a perfectly synergetic interpretation to round off jona s sidetracking album prologue in style.

italian melody makers modular project reveal their debut ep, a nature-dubbed and organic five track effort merging tech house and electronica. the endeavor kicks off with the nostalgy laden yet upbeat leaf, whose steady bassline gives leeway to a dreamy developing, synth lined harmony. aptly entitled into the woods, the second track goes into deep territory via distorted synths, a wave-reminiscent element that remains its central focus til the very last sequence. the woodlandish journey fully unfolds at the third track, a contrastingly darker ...

san fransisco meets nyc for the third release on fifth interval. rose bay from federsen sets the tone for the record: drenched in tape hiss, the warm pads and delays create a richly textured environment for deeper club sets or for 2am sessions on headphones. dub techno luminary brendon moller offers up two versions of the title track to complete the ep - one in his own name and the second under his ecologist guise. fans of the label will no doubt be well aware of moller s formidable discography, which includes 10 albums under a variety of aliases, exploring the outer reaches of dub music. coaxing two captivating versions from his studio in upstate new york, moller focusses on the chord stabs from the original for the echologist dub, pushing the stabs and percussion through the desk, twisting the tails through tape delay and creating new vistas through crafty use of panning and bona fide dub production techniques. closing with the outstanding tidal dub, moller dons his beat pharmacy cap and pushes the mammoth bassline to near speaker-crushing levels to create a deeply hypnotic groove that is accentuated by waves of ferric pads and fractured percussion.

straight out of the ukraine comes io (mulen) aka aleksandr voznichenko, a man whose back catalogue includes releases on labels such as rejected, eklectisch and area remote to name but a few. now he links up with one of paris’ premier labels, run by one of paris’ premier crews – apollonia. with one solid track and a classy remix from danish young gun malin génie, this is another surefire winner from apollonia. ‘to the unknown’ kicks things off with a steady build up. shrouded in a hazy mist it draws you to its understated groove, io turns in a very considered production that evolves at a slow yet utterly gripping pace. the energy levels rise like the tide of the ocean, engulfing you before you know it. io’s dexterity and cunning ability to keep the listener engaged manifests itself here, bomb! on the flip side, malin genie steps in to give ‘to the unknown’ a new lick of paint and what we get is a jazzy, minimal rework with a jaunty skip in its step and a wicked bassline.

resopal retrieves two more smoldering remix cuts on transparent vinyl. safe to say that both of them - the a side by heidelberg s casio casino (aka steffen neuert of bergheim 34 ) together with lopazz - and the stunning b-side by our marseille connection roar - are absolute stompers. what we have here are two finely crafted remix versions of the original that seduce the dance floor in totally different ways. both contain perfectly structured arrangements that creep up on you with the stealth of a ninja, making them a real pleasure to mix with. the heidelberg guys show a minimal disco hybrid version of the original. from the moment the bassline emerges from a dense thicket of white noise the pair make their intentions clear. with expertly-crafted sequences punctuated by dramatic crescendos and distinctive mood changes their re-work is a melting pot of styles and influences that somehow manage to coexist, creating a rich montage of sounds and textures. on the b - french duo roar deliver hallucinogenic, long, patient grooves followed by some fantastically understated sonic tweaking which gives the track a real kick without ever losing that empty, laid back vibe.

we are happy to announce mother040, swipe the card ep by our dear friends mat.joe. the hot duo from berlin delivers again an incredible 2 tracker hit ep.swipe the card (original mix)swipe the card is just a party stomper. straight up bouncy, rumbling bassline, haunting, funky pads and a great use of vocal cuts in the breakdown. come on ya, just clap your hands and beat it!make a living (original mix)make a living features mat.joe s signature sounds, tight drums, clever sampling and heavy bassline! it s all about the vocal hook and the magical house ...

as he keeps busy on d edge s new sub label olga with a brand new artist album, boss man renato ratier also manages to serve up a hot new ep on the main label with dynamic regard stimming. the pair cook up two fine tracks that showcase both of their styles in all their glory. philosophy goes first and is a playful, loose limbed dance floor groover with parping blasts of sub bass, richly soulful pads and slow burning sense of crescendo that will really lift dancers up and carry them away. it is perfectly detailed and expertly produced to really jump out of the speakers and is sure to be a massive hit this summer in brazil and beyond. conscious then flips the script and slows to a perfectly seductive crawl. lazy drums, slow blasts of white noise and a poignant bassline all get backed by glowing pads and the overall effect is soothing, seductive and sensual. this is a fine ep from two very talented producers and cements a long standing relationship in style.

the very first vinyl release from one of australia s leading underground lights, motorik. after throwing acclaimed warehouse parties across the nation, and a burgeoning selection of digital eps from local crew the finger prince, csmnt61, wordlife, jensen interceptor and made in paris, their debut vinyl release is a double a-side featuring the finger prince (made up of dreems and ex-infusion/freeland francis xavier) with their epic -don t talk to me-, a late-night exploration of trans-dimensional dance, plus a skittering, percussive remix from none other than vakula. on the flip is melbourne s mike callander (of haul music infamy) with physics, built around a wonky bassline for more dancefloor exploration. comeme mainstay christian s gets wild on the remix. a gorgeous package with art by babekuhl, delivered 2u on 180g vinyl for maximum bass. this is exclusive to vinyl and will not be released digitally for at least 12 months.

andre crom returns to off with a deep and moody piece of house music. based on a layer of solid drums and a warm bassline, the track evolves with a gliding synth hook and bell theme, topped by a haunting vocal featuring bramwell. berlins rising star jonas saalbach delivers a spacy interpretation, altering the original theme and introducing new synth layers. finally, london-based ashwort adds a toolish deep techno remix, only using fragments of the vocal to give more focus to the groove.

happy birthday 8 bit! the final part of our 10years series and 8bit catalogue number 100 are provided by none else than labelhead and mastermind gorge! with tayo ep the renowed producer and dj may strike his best one yet: a timeless two track beast and safe to say, a future classic. tayo, the a-side is just pure gorge with an irresistible bassline joined by rollin’ drums and as usual, just on point! filtered organs, bright cymbals and subtle airy pads set the stage for lisha, a serious groover bringing positive vibes to any floor. we couldn’t be happier with this milestone release and are already looking forward to nr. 200 - 8bit, just quality music!

three impeccable pieces of stripped down, unfeigned tanz trax make out the debut release of esther silex – deejay extraordinaire, colognian woman-about-town and very dear new addition to the studio barnhus family. the gargantuan yet free-flowing bassline of hans, the menacing tension of heinrich and the dawntime anthem oskar are all testaments to esthers unquestionable status as an impassioned powerhouse with enough west german swagger to create timeless music with equal parts simplicity and beauty.

cat.nr. 2400 comes as a four-tracker with grooves from crooks + lovers, grizzly, savvas from greece and so late. the new-not-so-newcomer crooks + lovers second track for o*rs. * yaiza* tickles you with soft vocals and a higher bassline. if you like you can call it a * happy dubtechno* track. grizzly, well known for his psychedelic slow-jams lives up to his name. * juli im august* is build around one simple beat heightens the chords and expands the room. the a-side with savvas and so late leads a warm course. savvas’ „other side“ is made for the early slot to build up the perfect night. but do you know the time during a club night when you danced for two hours and you have to decide to stay or go? mutiny by so late is your decision to stay. limited to 300 hand numbered pink vinyl copies!

cadenza music opens up its 2016 account with the debut single from swiss producers, rare movement feat. disco channel. cutting their teeth on the dj circuit for many years, and playing alongside such esteemed jocks as seth troxler, ricardo villalobos (who mastered the audio on these tracks), jamie jones and luciano (who ultimately signed this single to cadenza), the guys have crafted a pair of tracks that sit right in the dj sets of the aforementioned company. rare 007 combines tension building synths and a wandering bassline, wrapped up tight in solid drum groove, its hypnotizing tones carving out a most useful club tool. on the flip side, rare 011 digs deeper, with cinematic string sweeps over the sparse and bass heavy kick drum. flashes of vocal refrains and micro percussion fly in and out of the arrangement as the melodic elements give this one a real sense of drama as the track blossoms into life. a very accomplished debut from the guys will no doubt provide a real dancefloor moment in the right setting, and no surprise that villalobos gave these tracks the audio master that they deserve.

two of paris’ most respected artists get together for their second collaborative extended player this year. dan ghenacia and chris carrier have been entrenched in the electronic scene in their hometown for a long while now, both men building a strong rep through consistently great music and dj performances. earlier this year they joined forces on ‘just a sin’, released via carrier’s adult only label, now they’re back with the follow-up on apollonia. across three deadly tracks, the duo explore their love of music making machines to the fullest – each track taking its name from ‘sweet heart’, translated into different languages. ‘schatzi’ works off a modular synth, bursting out of the blocks with a wobbly bassline which supports a range of subtle effects together with infrequent vocal clips. as the track progresses warm rising pads and female vocal snippets create an entrancing atmosphere. next up we get an arabian twist with ‘habibi’. a pervading air of mystery presents itself right from the off, with warped voices lurking in the background as the rhythm lures you into its murky groove. as the track progresses more eerie pads and effects are layered over the stepping bassline giving it a very creepy feel. finally, french vibes comes through with ‘cherie’ on side b. the track draws its energy from the busy, though crisp, percussive elements and a b-line that groans in unison with the beats. a simple chime remains present throughout, keeping it minimal yet interesting.

we re glad to say welcome to renè for our second wax. with his residency@circoloco in ibiza since years, he had the chance to play at some of the best gigs in the world. his track anything has a unique touch, with a lot of warm and deep pads that match perfectly with bassline, doing a beautiful atmosphere. renè on the keys never fails, that s what we say! alessandro di maria aka sossa is another italian resident dj of circoloco in ibiza. he worked with a lot of amazing artists like mass prod, quenum, subb-an and many more, especially with his own label garbant wave. his track toga is what we call a trip, ranging from minimal beats to deep pads and chords. certainly this one makes the right job in the warm up! we re happy to have the young talent giacomo trevi in the b side. with releases on claque, superfiction, etruria and more, his track voyage has a powerful 909 groove, with an old school pads and some detroit influences in the chords.

bleep repeat makes for a potent first track. here, a thumping step gives way to synth lines that sting and swell across solar systems. things get headier, grittier, reaching a furious and frightening rush with spectral soundbites to match. a homage to uk rave sounds, this track perfectly captures the uncanny pairing of aggression and rapture at the heart of 90s bleep. paper blades follows, a celestial soundscape punctuated with hissing breakbeats and a sinewy bassline. rippling acid lines beam along the astral plane, and a hallucinatory, near-liturgical melody meanders all the while. spaced-out yet inexplicably driving, this track is elevating, enveloping

freedom wig ist der name des mittlerweile dritten studioalbums des norwegischen duos ost & kjex. zehn tracks, die wieder einmal perfekt den spagat zwischen indie und underground electronica schaffen und dabei nichts vom typischen ost & kjex-humor vermissen lassen. wie das genau klingt? vom jazzigen intro von honky tonk, über die extrem tanzbare bassline von chachacha, bis zu den tropischen xylophon-klängen in down river und dem fast schon spirituellen summen von easy bietet dieses album ein extravagantes feuerwerk für die ohren. und das spürt man vor allem bei den einzigartigen und energiegeladenen live-shows der skandinavier. schön, dass es noch künstler gibt, die uns daran erinnern, nicht alles zu ernst zu nehmen.

limited to 250 copies.spain s alex font inaugurates his new acme imprint. on the a side, sound on canvas is deep and percussive minimal house with a rolling bassline and trippy sound design that is typically suited to awkward and paranoid afterhours shenanigans. the rhythm gets up more on the deep house tip, still keeping the exotic wooden percussion grooves with organ stabs and dreamy, swirling keys that fans of the mountain people or agnes and quarion will appreciate. on the flip into the flux is a sweaty, peak time people mover, using the same reliable elements like on the other side but with a swing fuelled groove and a hell of a lot of funk that fans of sascha dive or brothers vibe will no doubt dig.

shift work are an electronic duo who have previously released on jd twitch’s glasgow label optimo. they debut on houndstooth with ‘document ii’, an ep developed from live jams on outboard analogue gear. ‘abandoned hands’ is lean and raw, an angular bassline and indecipherable vox punctuating the relentless 4/4 kick drum and pattering percussion. ‘sbfm’ is fuller-bodied, with the modulating bassline taking centre stage, draped in loose synths and topped with a deadpan vocal refrain. shift work invited remixes from their associates, with dva damas dialling down the tempo and stripping back ‘abandoned hands’ further still, whilst factory floor return to remix duty on houndstooth with a typically subtle yet infectious building groove. cut and mastered by matt colton at alchemy and limited to 500 copies worldwide.

vsa records debuts with the two label founders - vinyl speed adjust - forefronting two monster acid cuts - the a side -lost and found-, makes due with some very intriguing bassline rhythms, melodies, vocal chants and breaky hi-hat patterns whilst the b side - -black and white-, seemingly continues the idea, retaining the specific roland sound, but in a much more industrial techno fashion, with a more obvious kick drum and looped out rhythms. vinyl only.

repressed 12 inch black vinyl !!
strictly vinyl only! big with: radio slave, sebo k, ralph lawson, mountain people, federico molinari, robert dietz, hector, anthony collins, clive henry, ethyl, justin drake,.. tsuba rarities is a collection of exclusive new remixes unreleased dubs and alternate versions. following her rekids debut last year nina kraviz is one of the most hyped artists of 2010 and she more than lives up to it with a truly stunning house remix of okain. clocking in at 12 -41 & complete with her own vocals and a bassline straight out of chicago, this mix has already blown the roof off panorama bar and fabric. one word - classic! for the aa side geddes & mic newman have reworked >lost souls< into >lost the love< adding a rather well known vocal on top.

with 8 sell out releases under the contrast wax belt so far, the boutique label invites, ben boe -boe recordings/for those that knoe- label head to the family & he joins the likes of blm, ethyl & flori, gauss & laak, with a killer 3 track ep, hand-stamped & hand numbered in true contrast wax style. the lead of the 3 cuts, steel city fly by is built around a lo slung bassline & subtle atmospheric pads that swell & drift in and out throughout, the b-side: what starts off with soft subtle pads & skipping hats soon rises into a bubbling acid line to compliment the latter in hope for enceladus that leave s the final cut of the ep byzantine times a laidback, groover, layered with delayed snares & synth lines make this emotive piece the perfect end to a solid 3 tracker.

the next release on paul rip s specimen records is by god of the machine, the brainchild of deep house and techno maestro, derrick thompson a.k.a. drivetrain. the ep kicks of with the original, a powerful slice of jackin tribal techno, its bleeps, tones and chants sitting atop a tight percussive groove that s infectious from the first beat to the last drop. next up comes hijacker s electro workout. its beats are old school yet the attitude is set firmly in the future with its square wave bass line, trippy noises and swooping scikfi pads. santonio echols takes it back to detroit with a simple yet driving tech house rendition containing sublime melodic chords, eerie pads and a hypnotic pad stab that sends tingles up your spine. mr.c finishes with one of his typically infectious acid workouts, where he adds a cheeky bassline, haunting pads and cowbell pings to blend and morph into the twisted effects of a psychoactive substance.

toronto hustles kick their ep off with the classic house sound of in your mind . mr fingers style bassline over chunky chords and a well chosen rasta vocal sample builds an infectious house groove. just enough is perfect terrace material and will keep those early morning deep house heads happy. the raw cut brings a tougher groove to the ep, reminiscent of that roper mid 90 s us house sound from chicago.

from sci-fi to lo-fi lod presents a journey inside analog machines and science fiction movies. two producers from different countries had split the release with their sounds and their musical attitudes. lost soundbytes is a brussels based young producer that develops an haptic music, diving sometimes into cryptic and anxious foggy areas through analog materials experimentations, as drum machines & synthetisers like poly 61, acidlab bassline 3, wardolf blofeld. sebastian swarm comes from glasgow his three tracks are full lo-fi acid music, imprinted by a cosmic sight and chicago house quotes. enjoy the trip!

uk techno stalwart ben sims adopts his ron bacardi alias for an outing on bass culture records, bringing with him three varying slices of 4x4-based music. d’julz has a deep penchant for bass and funk, and this is evident throughout the ep. we get off to a rugged start with ‘rock your body’, a deliciously dark slice of grumbling techno. intertwined with the morose bassline is a mysterious, tribal-esque female vocal, warped and twisted to add a primal feel to the track. on the flip, bacardi puts his a different hat on giving us ‘first effort’ a vivacious funk-laced hybrid, which teases you spitting out intermittent trumpets and other such live instruments. finally, ‘the money/dub’ goes straight into disco territory with that oh-so-familiar entrancing rhythm that will keep you fixed to its beat from start to finish. that filtered wah-wah guitar is impossible to resist, especially when combined with such crisp percussion. sheer quality from monsieur bacardi…

chi-town’s al & tone are back with “volume 6”. the “praise” side features “mad dash”, a groovin’ gospel tune with a funky bassline and sweet horn riffs, plus the spaced out “my soul”. the “rejoice” side has the killer cut “u”, a sweet modern soul jam along with “worship” a sick lo-fi cut.

ian blevins is from england but hes quite the dude. this is his first offering for the esp institute. on side a, meet the happy beast named hannibal, a big room tune that ticks every box your heart may desire bone dry drum production, atmospheric arpeggios, soaring strings and pads, a beautifully sweeping bass progression and an overall sense of euphoria goosebumps guaranteed. on side b, welcome aunt poly cools us down a little bit stripping back the instrumentation, minimizing any superfluous effects, and layering a sparse bassline and droning synths over a laidback 808 all to a relaxed tempo. blevins debut proves that from the right point of view, familiar elements and motifs can take on a new life whilst reminding us just how the rave can feel. these two songs will increase your serotonin levels.

to coincide with the full remix album’s unveiling on cd, the exquisite reworkings of all i think about is death and why you feel so low by techno heavyweights radio slave and function respectively, have been singled out for release on vinyl. the former bears all the hypnotic hallmarks of a radio slave classic: incrementally menacing percussive lines woven with the heart wrenching vocal chants of the original over an epic 12 minutes. at once understated and emphatic, the tenor is deepened in the extreme on an ambient atmos version. berghain resident, function, on the other hand treats claustrophobias flagship why you feel so low with a delicate touch: he retains the buoyant hook of the original, underlying it with a thunderous, reverberating bassline, handclaps for days, and a beat tailor-made for only the biggest and brightest sound systems.

here comes the heavy remix package to lake peoples much praised debut album purposely uncertain field. with redshape, lawrence and map.ache three remixes were carefully chosen who would be able to bring their own distinctive sound to the table, but also treat the original tracks respectfully. redshape catapults -illuminated- into the orbit of the red planet, where it rotates in a trippy and hypnotic way. lawrence is drifting red but stays closer to the sun. the dial boss keeps things lighter and brings some bells and a steady bass drum to dinner and knows how to mesmerise. leipzig buddy and kann records co-founder map.ache shifts up a gear with his remix for cooping. twisted vocals and a bouncy bassline make his remix a darling on the club floor and rounds things consistently up.

joss is a ukrainian producer with a deep understanding of house. he has released his seductive wares on labels like this one as well as get high music and high-jack. a long time vinyl lover, he has played intimate clubs and vast festival all of europe and is now in fine form in production mode, too. opener solely is a deep, shuffling cut with icy hi hats, subtle cymbal splashes and a tight bassline than gurgles and bubbles invitingly. muttered vocals add an all important human element and its a fine effort, once more from the man.

celebrating the seventh noon-records release, we are happy and proud to present you an ep with a name that speaks for itself. something strong is one of these high pressure peaktime cuts, that can turn any club or festival stage upside down. the slick combination of raw and dirty drum programming and twisted funky stabs & organ sounds, will take you on a ride. the head infecting vocals and synths during the break make sure, that no one will be left behind when the beat pounds in again and again. tommer is more on the bumpy house side. with it s massive bassline and percussive patterns, you can get any party started. a perfect track to round up an ep - truly dedicated to the dancfloor.

one of the most respected producers in the underground, anaxander, contributes two beautiful pieces of original music, and has one of them reworked by deep house heavy hitter, the mighty amir alexander. lost my soul (in yours) is twisted little number, with dual synth riffs echoing off each other for maximum effect. a question about you uses jazzy chords and flutes over its undeniable bassline to retain some soulful flavoring, but amir strips all of that away on his interpretation, preffering instead to let the acid and the warehouse vibes have their way, taking things right into a 6am rave nightmare. this is absolute must-have piece of wax!

very limited 2015 repress! supported by: luciano, loco dice, raresh, tania vulcano, nick curly, reboot, sebo k, valentino kanzyani, laurent garnier, matthias tanzmann, ben watt, jimpster, federico molinari, ray okpara, martinez, frank roger, varoslav, okain, kiki, anthony collins.. all inn records look to kick-start 2011 on full throttle, and return to their homeland, for a label debut from, premiesku aka. livio & roby vs george g. the premiesku project was launched with releases for desolat and cecille, and it gives all inn records great pleasure to join those labels, with todays stunning three track ep. a collection that perfectly portrays their music vision. lead track >hooman< matches precise house beats, with a contrasting and cascading waterfall of twinkling keys. >virgula doi< takes us deeper. with its electronic bassline, and smooth stabs, it gives off some real >west coast< swing. rounding out the ep is >patru<. a wonderfully cinematic piece, with lalo schifrin-esque cymbal work, hammond stabs and wandering key melody, it is the pièce de résistance!

enemy returns with another remix package including efforts from some of our favorite producers at the moment. this collective includes the crafty and credible sound of vril, the legendary steve bicknell, and house musics latest tastemakers mr. tophat and art alfie. getting the remix treatment this time around is dustin zahns 2014 comeback release, >new day rising<. monsieur tophat and his esteemed colleague art alfie surprised us by turning in a very dark and stompy techno rendition of >lost in rapture<. it goes without saying that this one is definitely geared towards the time of the night when things get a little weird. vril follows up with an excellent take on >new day rising< by keeping the tension for nearly three minutes before the reese-like bassline drops in and causes the track to evolve into a groove that demands instant attention. steve bicknell rounds out the package with the peak-time hammer! its relentless, heady, and undoubtedly bicknell! this one has >rave< written all over it.

always eager to champion new talent, dessous recordings unearth a precious gem from brussels-based lockwood, a duo comprising childhood friends gert-jan haegeman and billy hillaert. ‘lets talk sets out their stall: a shuffling, shimmying groove upon which an unruffled bassline and blue-tinged jazz chords blissfully coast. this is warm, dreamy, house so deliciously laidback and soulful that it never outstays its 9-minute running time.

parages 009 is ojpb (known as bowly) first ep on this label, a side project oriented house and disco. the a side starts with « pénétrante », a disco house track, with classic bassline and nice chords groove. on the second track, its simoncino’s remix. the italian with a strong taste for chicago house, signed on mathematics, lies and more… he turns the track into a wild west tune with deep sounds and melodic lines keeping the groove.b side starts with a deep percussive house track, super melodic and really catchy with a detroit influence…..you got to pay your dues man. last one is a super catchy disco edit that will stay in your head and bring some dance moves that you didnt know of.

lanthan audio is back after their debut ep that featured edit-select now with their sophomore release from deepbass, scottish dj, producer and label owner of informa records. for this ep deepbass delivers one original cut, alto which has been remixed by aegis, reggy van oers and ness. uniform to the deepbass style, alto is an ethereal atmospheric track with a punchy, rolling bass, which takes you on a voyage through the cosmos. aegis, on the other hand, takes the tracks potent bassline and adds the aura of breakbeat to the elegant atmospheres. on the flip side rvo adds a hypnotic energy to the track as the elements continue to build to the crowning point letting you down nice and smooth. for the final take ness adds his own style as the punchy bass lingers he is still able to keep the mood serene and delicate. all in all a captivating way for each artist to express their own style on one ep. pressing on translucent dark blue and smokey marbled vinyl.

berlin based mark henning continues a series of self released 12 s on his own imprint swing recordings. next up is a re-issue of two of his most famous bassline-heavy tracks to date - trojan and sin city plus a new unreleased track.

we are pleased to present with * black hole* by meta.83 the work of a consequent defender of the art of analogue production. the soon available track * black hole* by the liebe*detail co-founder jinxed us from the very first moment and it was clear to us, that we d like to add a number of top-class remixes beside the original. for this we were able to win no one else then the tobias and borrowed identity (after his recent release on pastamusik * crack in the box ep*). the powerful acid bassline in the original version as well as in the gravity version creates from the very first moment a hypnotic undertow which seems to keep increasing throughout the track. its masterfully celebrated how to generate effective hits by carefully chosen elements and canny used effects. tobias also devote the focus in his interpretation on the acid aspect – but with more dynamics and with a higher beat frequency which will make every techno-djs heart beat faster. when carefully set tones are fading in and out this version gets a brilliant final touch. the remix of borrowed identity sounds in its structure more dirty and rough and though at the same time very fragile. a wonderful gem in pure culture drifting towards a black hole ..... perfect.

ultra limited, one copy per customer! in an absurd world, full of unwanted auditory sensations, sometimes we have to escape back to the basement - back to the beats. that feeling, that need, paved the way for blint to release his very first solo ep – blint001. the record is a two-tracker: on side a you’ll find „silent movements“, a bassline-driven broken beat with a dark twist in the end. on the flipside there is „road to ioannina“ which is based on an 808 drum pattern, accompanied by a smooth synth-odyssee. the record comes along with a fine art print of the cover, drawn by graffitiartist rookie the weird, handsigned and numbred on 300gr. paper. a special gadget, that is connecting blint s musical output to his roots in graffiti and hip-hop culture. a true underground-package from germanys ruhr-area!

eleve welcomes leonid into the family with otherworld ep. the madrid-based irish producer has deployed during the last years some of the finest records of the house panorama, for labels such as sistrum, dolly or more recently freebeat. this record fits perfectly in the red series started in eleve 02 by dj f and jose rico, with the focus on the dancefloor. leonid brings a three-track ep whose amazing sound and percussion, trademark basslines and detroitish leads and pads promise to transport many dancers to other worlds. a side starts with xana, an esoteric house excursion with a mechanical edge. next track is púca, in the spirit of his deepest previous work with a characteristic syncopated bassline. b side long track is embarr, an adventurous imagination trip across the sea, classic leonid elements such relentless percussion and heavy bassline meets acid elements to create a one-way ticket to universal sub-conscience.

system2 return with 006. four tracks varying and covering all aspects of house music. a1 - wet dog is an 808 inspired track with a deep groovy bassline with vocal cuts. a2 - old fool with its chopped up bass stabs & open hats with a cool vocal hook b1 - esp brings a more sub bass & deeper vibe on this ep. shakers panned from speaker to speaker & filled out with background sounds and chords b2 - tell me is a tech house chugger with relentless bassline filtering in and out. great mainroom peak timer with a french house vibe

drumma records presents its second collaboration with romanian duo vinyl speed adjust (vsa). the ep titled the awakening shows us vsas intelligent approach to music, an ideal fit at drumma records where creatively effervescent music is embraced with open arms. the record has 4 tracks. the eponymous the awakening is a special trip between break rhythms, modern jazz and a dreamy perpetual arpeggio. it creates a great mood for artists who want to present something special during their set. a2 is the grind, a very strong and acid track with a powerful evolving bassline that creates perfect suspense. inspired by the 90s, its raw and its analogue, definitely a hot track. monoxide comes with a linear rhythmic pattern and a very deep sub-bass sound fused with trippy synth soundscapes, ideal to put in a mental note during a session. the release is topped off with an amazing remix by the great valentino kanzyani. hes brought his own approach to the grind. the remix is a track with very strong groove and an intelligent evolution that creates small sonic worlds at every turn. valentino knows how to masterfully work a constant crescendo where tension and rest is perfectly resolved and we can feel his approach to techno at its best.

after making a great impression with its first ep, giant records serves up a second hot helping of house music from boss man grant dell, complete with fresh remixes by scottish techno stalwarts silicone soul. dell, also known as chicago transit authority, has been doing his do for 25 years now. as a dj he is at home in clubs in ibiza and barcelona as well as around the rest of europe, and is someone who always prefers to push his own brand of widely infused and influenced music than his own profile. once again here he comes up trumps with the emotive, glowing house cut ‘in your mind’. with a neat bassline and mid tempo house drums, subtle but effective synth smears add warmth and colour to the groove, whilst soul fuelled vocals add a real sense of personality. this is sure to get people grooving at any hour and comes with grant’s own space echo remix. as the title suggests it’s a more dubby and reverb rich affair with cosmic signifiers and sci-fi vibes pervading from start to finish. silicone soul need little introduction having been at the heart of real deep house and techno for decades on the soma label. their first remix is a darkroom dub - named after their own label - and is a seductively slo-mo and lazily unfolding house cut with languid synths that really suck you in. their lush hypnohouse mix is then a twinkling, late night bit of melodically rich deep house with starry skies twinkling above sombre chords. this is a patiently served but hugely alluring ep that is stuffed with plenty of tender feeling. one again then, both grant and giant have come up with the goods.